________________

_________________________________
____gemelos2000 invites you to our contribution for PAF2019
sporadikos____gemelos2000 & guests
in Memoriam Witold Gombrowicz

Performing Arts Festival Berlin / 28. Mai 2019 - 02. Juni 2019 (www.) performingarts-festival (.de) Das Performing Arts Festival Berlin wird veranstaltet vom LAFT – Landesverband freie darstellende Künste Berlin e. V. in Kooperation mit den Spielstätten Ballhaus Ost, HAU Hebbel am Ufer, Sophiensæle und Theaterdiscounter. Das Performing Arts Festival Berlin wird gefördert durch das Land Berlin – Senatsverwaltung für Kultur und Europa aus Mitteln des Europäischen Fonds für Regionale Entwicklung (EFRE) im Programm „Stärkung des Innovationspotentials in der Kultur II (INP II)“. The Berlin Performing Arts Festival is organized by LAFT – Landesverband freie darstellende Künste Berlin e. V. in cooperation with the performance venues HAU Hebbel am Ufer, Sophiensæle,Ballhaus Ost and Theaterdiscounter. The Berlin Performing Arts Festival is supported by the State of Berlin – Senate Administration for Cultural and European Affairs from funds of the European Fund for Regional Development (EFRE) within the program “Promoting the Innovation Potential in Culture II (INP II)”.

_______
_______
_______
_______
_________
_________ _________
__________________
__________________
• __________________
_________


_______
•

11 hours + 11 minutes performance____time
+ 4 hours + 4 minutes parallel= >____space
4 days-ongoing performative happening.
At least 14 participating performanceartists:


. ____gemelos2000
&

. Laura Carvalho
. Albrecht Fersch
. Ruben González Escudero
(. Thora Hoberg)
. Franz J. Hugo
. Sako Kojima
. Lady Gaby
. Yon Natalie Mik
. Philip Morris
. Kazuma Glen Motomura
. Rina Nakano
. Seamus O'Donnell
. Hyunji Park
. Nico Petidan
. Julia Pfister-Mischkowski
. Elma Riza
. Michael Schmacke
. stØrfan sender
. Moojae Song
. Pilar Talavera
. Micaela Terk
. Aya Toraiwa
. Karina Villavicencio


. ... PLUS further surprising artists, which might appear as well.


Videos:
. Katri Kainulainen & Maximilian Latva
. Sung Baeng
. Gio Ju


+ BcmA-collaborators:
. Ricardo de Larrea Remiro
. Melissa Ortega


sporadikos____gemelos2000 & guests - in memoriam Witold Gombrowicz,
is the 4th contribution for the Berlin Performing Arts Festival, organized by the
_>__>___>____falkenfeld GbR and understands itself as an four-day-ongoing,
joined and occasionally interactive happening.
Again ____gemelos2000 invite guests to present their performances at PAF.

We are happy to have obtained for this edition a wonderful space, which is new for us:
The Arts Projects Space: BcmA

____gemelos2000 from the beginning of the festival in 2016 consider it as an special
opportunity to present positions of performance-art and it's artists to an international audience,
offering always the possibility of interaction, being this way simultaneously able of
leaving performative tracks on a remarkable platform.

.


sporadikos____gemelos2000 & guests - in memoriam Witold Gombrowicz,
ist der 4. Beitrag zum Performing Arts Festival Berlin, den die _>__>___>____falkenfeld GbR
organisiert und der sich als ein viertagiges, andauerndes zusammenhangendes und
zuweilen interaktives happening versteht.

Erneut laden ____gemelos2000 Gaste ein, sich zum PAF mit ihren performances zu
prasentieren. Wir freuen uns sehr dieses Jahr einen wunderschonen fur uns neuen Ort gewonnen
zu haben: Den Arts Projects Space: BcmA .
____gemelos2000 & guests betrachten von Anfang das Festival als eine Gelegenheit,
Positionen von Performance Kunst und deren Kunstler *innen einem internationalem
Publikum prasentieren zu konnen und bieten immer wieder Moglichkeiten der Interaktion.
Gleichzeitig sind sie so in der Lage performative Spuren auf einer bemerkenswerten Plattform
hinterlassen zu konnen.


. ...�‹ �‹ o...�‹.�‹�‹oO






•         •



sporadikos____gemelos2000 & guests
- in memoriam Witold Gombrowicz - I /IV
day 1 of 4:
Wednesday, May 29th 2019 - 19:19-23:30
O·0°oºoOO·0°oºoO..:


19:19:
opening
new works by ____gemelos2000




20:20 - 21:21
performance____time_1 :

#1
20:20 - 20:50:
Pilar Talavera
Dear Artist
30 minutes till 20:50 (english/spanish)

I was born in Lima. I live and work in Barcelona. My work focuses on the role of memory as
a channel through which we construct our identities, desires and hierarchies, using different
languages such as performance, video, installation and writing.In the past years my research
has centered on food in relation with memories, the important role eating plays in
our subjectivity and how, by appealing to the audience�fs senses in my performance work, I
try to elicit in them an awareness of the self and the other. In my theoretical work I have focused
in the difference and correlation between myth and ritual and how we deal with this in
everyday life.
(www.)pilartalavera(.com)



#2
20:50 - 21:49:

Laura Carvalho
LAURA_ AkiO->PLAY Trucke
(less then 1 hour: 31min+)

Laura Carvalho in her search for different ways of living/being has worked in programs of
public health promotion with people suffering from mental illness and with people who are
facing the abuse of psychoactive substances in the context of vulnerability.
Was inside these apparently hostile environments, where Carvalho found a fruitful place for
the development of her visual production.
The dynamic ordinations, precarious and provisional,
intrinsic in these environments
are the substantial matter of her artwork.

Just like the precision of the needle, her main instrument of work, which sews and redefines
objects and fabrics, the artist aims the union of different areas of knowledge, techniques
and methods, creating a symbolic weaving of new lines of thoughts.
(www.)lauracarvalho(.com )
(www.)lauracarvalho(.com/en/portfolio-item/laura_akio-foodi-trucke/ )
(www.)lauracarvalho(.com/en/1907-2/ )




21:21-22:22
performance____time_2:




21:21-21:49:
ongoing:
LAURA_ AkiO
->PLAY Trucke
(28 min)
(www.)lauracarvalho(.com )
(www.)lauracarvalho(.com/en/portfolio-item/laura_akio-foodi-trucke/ )
(www.)lauracarvalho(.com/en/1907-2/ )





#2
21:49 - 22:04:
Franz J. Hugo
performance_1 of 4_
Singingperformance
(15min) (no language)
In my performances I perceive myself as an instrument.
The performance passes through me
I'm just the medium.
(www.)youtu(.be/DoDpsrVS-1E )



#3
22:04-22:22:

parallely/ongoing
Albrecht Fersch
catch and release
(18 min) ( if language then: german/english)

It�fs my intention to get to the bottom of relationships, to illustrate coherences, to join the
dots in order to create new spatial realities.
I try to create an encyclopaedic copy of the world, a catalogue of human existence, not in
alphabetical order but rather as needed.

The weaving of the world shall be catched like in a spider web in order to mirror reality, searching
for meaningfulness.

For me, it�fs not to be done in a scientific way, I was leaded to results by playing and giving
my thoughts the possibility to dance.
My art system is always expanding organically, searching for the order in chaos and also for
chaos in the orderliness.
(www.)albrechtfersch(.de )
(www.)geopoeten(.eu )



+*
+

#4
22:04-22:22:

parallely/ongoing:

Lady Gaby v (performance 1 of 2)
palm reading
(18 min) (english/german)



ongoing into the SILENT_parallel= >____space_1



open your palm and I can see your destiny, a one to one with the public, interactive performance, durational.
(www.)apa-b(.org/members/lady-gaby/ )
(www.)soundcloud(.com/lady-gaby )
(www.)misplacedwomen.wordpress(.com/2018/12/27/misplaced-women-interventions-bylady- gaby-in-berlin-weisensee/ )
(www.)somos-arts(.org/gaby-bila-gunther-aka-lady-gaby/ )

+***



22:22-23:23
SILENT_parallel= >____space_1
ALL present participants interact
or act parallely/simultaneously
with:



* parallely/ongoing
Albrecht Fersch
Catch and Release
fragment 2
(10 min) (if language then: german/English)
+

***


parallely/ongoing
Lady Gaby
palm reading (english/german)






•         •



. ..O·0°o...�O·0°oºoOoO sporadikos____gemelos2000 & guests
- in memoriam Witold Gombrowicz - II / IV
day 2 of 4:
Thursday, May 30th 2019 - 19:19-23:30
o O O·0°oºoO0.. . . :�


19:19-20:20
performance____time_3:



19:19 - 19:49:
Albrecht Fersch
catch and release
(30 min) ( if language then: german/english)
It�fs my intention to get to the bottom of relationships, to illustrate coherences, to join the
dots in order to create new spatial realities.
I try to create an encyclopaedic copy of the world, a catalogue of human existence, not in
alphabetical order but rather as needed.

The weaving of the world shall be catched like in a spider web in order to mirror reality, searching
for meaningfulness.

For me, it�fs not to be done in a scientific way, I was leaded to results by playing and giving
my thoughts the possibility to dance.
My art system is always expanding organically, searching for the order in chaos and also for
chaos in the orderliness.
(www.)albrechtfersch(.de )
(www.)geopoeten(.eu )



(further performances might happen simultaneously)
parallely:
19:19 - 19:49
+
19:49-20:20

(31min)+**



on Video:
. Sung Baeng
Remember the butterfly. 2000/10/29. Busan.
17,06 min



20:20 - 21:21

parallel= > ____space_2

participants interact or act parallely/simultaneously with

____gemelos2000
Micaela Terk & Julia Pfister-Mischkowski
(Yon Natalie Mik)
21:21-22:22
performance____time_4:
#1
21:21- 21:52:
Franz J. Hugo
performance_2 of 4_

(31min) (no language)
In my performances I perceive myself as an instrument.
The performance passes through me
I'm just the medium.
(www.)youtu(.be/DoDpsrVS-1E )



**
#2
Low Volume:
21:52-22:22

Videos:
Katri Kainulainen & Maximilian Latva


Kiasma Theatre / Museum of Contemporary Art Kiasma, 2017
Kainulainen & Latva: Performance art in the spirit of Kalervo Palsa/
Kainulainen & Latva performance at the Museum of Contemporary Art Kiasma, Helsinki, Finland
+ Arttu Kurttila and Antti Ahonen
Duration ca. 3min 40 sek
(www.)vimeo(.com/239495828 )

-


Mad House Helsinki, 2018
Kainulainen & Latva performance �gGlobus Hystericus�h @Mad House Helsinki
Duration ca. 3min 40 sek

v "Globus Hystericus" is an introduction to the performance series List of Phobias.
This first part Took place in February 2018. Three performances, each lasting three hours.
(www.)madhousehelsinki(.fi/events/globushystericus )
Video: Mari Hokkanen
Edit: Maximilian Latva
Photos by Saara Autere:
(www.)flickr(.com/photos/129272798@N06/albums/72157665909066658 ) Hochgeladen am February 26, 2018
(www.)vimeo(.com/257520290 )
-

Berlin 2016, Mrs. Black�Ls House at Neukolln 48 Studen Festival
Duration ca. 5min
PART ONE
Performance by Maximilian Latva and Katri Kainulainen
48 Stunden Neukolln - Art Festival, Berlin
2016
Camera: Aino el Solh, Alexander Weber
Edit: Maximilian Latva
(www.)vimeo(.com/197603482)
-


Berlin 2016, Mrs. Black�Ls House at Neukolln 48 Studen Festival
Duration ca. 5min
PART TWO
Performance by Maximilian Latva and Katri Kainulainen
48 Stunden Neukolln - Art Festival, Berlin
2016
Camera: Aino el Solh, Alexander Weber
Edit: Maximilian Latva
(www.)vimeo(.com/197620496 )
-


Haihatus Art Center, Finland, 2016
Duration ca. 6min
(www.)vimeo(.com/197599556 )
Performance by Maximilian Latva and Katri Kainulainen
Haihatus Art Center, Finland
2016
Camera: Miika Tammisto
Edit: Maximilian Latva and Katri Kainulainen
-


Teatteri Universum Helsinki 2018
(www.)facebook(.com/305580056587805/videos/1851494071610010/)
Omniphobia filmed by Outi-Illuusia Parviainen.




22:22-23:23 low volume
performance____time_5
Yon Natalie Mik
Black Odonata II
40 Min.
How does the memory of the dancerly body shape and disrupt historicity?
I'm interested in the act of documenting as a choreographic practice.
My live and video performances are dedicated to the ghosts of our historical presences
and the information age we are living in.
Invisible people, neglected times and forgotten places are reenacted through
my own decaying body. My movements become fleeting evidence of their absence.
"Black Odonata II" is a dancetheater-based performance which aims to document how
ghostly memories of Ohaguro have molded our gaze and deformed our bodies. Mostly
known under its Japanese name Ohaguro, the term refers to a largely vanished ancient
Asian tradition, namely a beauty ritual of blackening teeth. The ghost of Black Odonata returns
as a dragonfly nymph. Four 10-min dances tell the story from the perspective of the
four life cycle stages of a dragonfly. The audience can join the performance at any time.
(www.)nataliemik(.com )






•         •



. ...O·0o...�O·0°oºoOoO
sporadikos____gemelos2000 & guests
- in memoriam Witold Gombrowicz - III / IV
day 3 of 4:
Friday, May 31st 2019 - 19:19-23:30
. oO·0°oºoOoO...o...o

19:19-20:20
performance____time_6
#1
19:19-19:49:
Franz J. Hugo
performance_3 of 4
Fuchsperfomance

(30min) (no language)
In my performances I perceive myself as an instrument.
The performance passes through me
I'm just the medium.
(www.)youtu(.be/DoDpsrVS-1E )




#2
19: 49 - 20:20:
Michael Schmacke
12gods&1disciple: Nigeria in Dub
(31min) (english/german)
A performance dealing with the situation in Africa today.
Inspired by the Osun Osgobo Festival, where a woman is possessed by the goddess of fertility,
the Orisa Osun, Michael Schmacke created a contemporary religion in Ile-Ife, Nigeria and
presents the gods live on stage.
Accompanied with experimental dub he is celebrating a ritual for the gods of love, trees,
fruits and death so in the end our lifestyle bubble looks more ridiculous then ever.
(www.)archive(.org/details/ekafon055_nigeria_in_dub/03love.wav )





20:20 - 21:21
parallel= > ____space_3
present participants interact or act parallely/simultaneously
(61min)

with

Moojae Song





21:21-22:22
performance____time_7

Elma Riza
"Tentatives a la limite_YELLOW"
(MINIMUM. 45 min MAX 2HOURS)
(here a total of 82min) (no language)
(61min) (+20min ongoing... ) Till 22:42
This project is inspired by the literary group Oulipo (France 1960).
The space is a playground for an experiment, where objects and materials are combined to
create a picture in constant evolution. The all action is structured by a series of drawingsscores
in a duration of 10 minutes for each new action. Like Georges Perec wrote a book
without E (La Disparition 1969), this work is an attempt to work with the notion of limitation
in a playful way. with for rules: Only yellow and 10 drawings/scores for each object or material!
(www.)elmariza(.com / )
(www.)vimeo(.com/user11167605)

With
Ruben González Escudero
Eine Echt-Zeit-Video-Projektion spiegelt Nuancen der Performance und wird damit teil dieser.
Die beide Kunstlern begeben sich in einen gemeinsamen Prozess des spontanen komponierens.
(www.)rubengonzalezescudero(.com )
=
+





22:22-23:23
performance____time_8
(61min)


22:22-22:42:
still
Elma Riza
"Tentatives a la limite_YELLOW"
(MINIMUM. 45 min MAX 2HOURS)
(here a total of 82min)
(20min) (no language)

with
Ruben González Escudero




22:42-23:23:


22:42-22:57:
Yon Natalie Mik
not see, no longer see, do not yet see
15 Minutes
How does the memory of the dancerly body shape and disrupt historicity? I'm interested in
the act of documenting as a choreographic practice. My live and video performances are dedicated
to the ghosts of our historical presences and the information age we are living in. Invisible
people, neglected times and forgotten places are reenacted through my own decaying
body. My movements become fleeting evidence of their absence.
"not see, no longer see, do not yet see" is a movement-based meditation paired with written
words from and about the blind that served as dance scores. The work explores ideas of vision,
the space of blindness and self-representation with regards to its imaginary, historical
and political boundaries. The dancerly body becomes blind as she immerses into an action
rooted in memory, anticipation, and dependence with her audience.
(www.)nataliemik(.com )






22:57-23:23
Da In
"The Other": On Border

afterwards



Hyunji Park
Endless Failure "Wind of reality can't blow off the passion of your heart"

(www.)romanticmeltingpot(.com)




cancelled: Thora Hohberg
Laternenspucke/Streetlamspit
(41min) (mixing many languages)
Zwei Schritte hinter der Zukunft die ich kannte eine inter-passive Performance-Installation
Als Jetzt und Gleich auseinander splitterten sah ich mich selbst von hinten im Lauftakt der
Zeit dem Plan entgegen hechten. Doch ich blieb stehen, starrte durch das rote Mannchen
und tauchte durch den Rahmen in die Zeit um die Abfalle einer ausgeschiedenen Realitat
einzusammeln.
Vielleicht liesen sie sich wieder zusammen setzen. Vielleicht ein bisschen anders.
Oder vielleicht und wirklich nur vielleicht konnte alles anders sein...
Wie konnte es nicht? v Die Performance ist Interpassiv: keiner wird vorgefuhrt, niemand wird ausgeschlossen.
.
Two steps behind the future that I knew an inter-passive Performance-Installation
When now and then been splinterin apart, i saw myself from behind. Hunting after a scedule.
But I kept standing, staring through the red figure. Diving through the layer of time to pick up
an retired realities waste.Maybe it would work again.
Maybe a bit different. Or maybe, realy by chance, everything could be different...
... How couldn't it?
The Performance is Interpassive. No one will be showcased, nobody will be excluded
(www.m.)youtube(.com/watch?v=TrGjJChTP_k)



•         •



.O·0°oºo...�O·0°oºoO.oO
sporadikos____gemelos2000 & guests
- in memoriam Witold Gombrowicz - IV / IV v day 4 of 4:
Saturday, June 1st 2019 - 19:19-23:30
.O·0°oº :o OO·0°oºoO

19:19-20:20
performance____time_9
#1

19:19-19:34:
Sako Kojima & Aya Toraiwa
The reason why I become a Hamster.-Short Version 2019-
(15min) (no language)
Kojima her main performance,"The reason why I become a Hamster"she performs the life of
a hamster as a caricatured city dweller whose life is helplessly formulated into the daily routine
of work-eat-sleep. Locked up in a gallery cell,and under the surveillance of visitors, Kojima
mindlessly continues her habitual behaviours biting sunflower seeds and chewing on paper,
it is a confrontation with the fears of inescapable boredom and solitude in life, executed
in a bright spirit of optimism.
(www.)sakokojima(.info )



#2
19:34- 20:20:
Franz J. Hugo
performance_4 of 4_
Shreddarperformance
(46min) (no language)
In my performances I perceive myself as an instrument.
The performance passes through me
I'm just the medium.
(www.)youtu(.be/DoDpsrVS-1E )



20:20 - 21:21 performance____time10
#1

20:20-21:00:
Karina Villavicencio
mystic watermelon # vol 3
(40 min) (multilingual)
VOLUME : loud
I�fm a performanceartist. The plot point of my work is my personal
migratory story. I�fm interested in approaching concepts such as
shifting, migration and frontiers, thinking them from the sensation of
vacuum, the encounter with the other and memory. I work with hair,
wool and scissors. Elements that are easy to carry around, malleable
and have the potentiality to transform other objects.
In my artistic work, I inquire over the concept of presence. What does it
mean to be here and to live and share a moment? which possibilities of
encounter/recognition of theotherness and mismatching/distance in
relation with the others exist between the audiences and my own
body?
(www.)karinavillavicencio(.com )
(www.)domesticmapping.blogspot(.com/2015/03/programa.html )
(www.)apa-b(.org/2003/12/23/karina-villavicencio/)
(www.)fieberfestival(.com )
(www.)guillermotirelli(.com)




#2
21:00-21:31:
Seamus O'Donnell & Nico Petidan, stØrfan sender, Philip Morris
THE BEAST
(31min) (no language)
THE BEAST is a sound entity, a combination of hand made modules and objects that give it its acoustic shape.
The design of each module is kept quite simple to allow for a more fluid combination of elements. The construction
and taming of THE BEAST is the performance.
(www.)archive(.org/details/WhatgapStopgap/DSC_0034.mp4 )
(www.)lifeloop(.org/ )




#3
21:31-22:01:
Lady Gaby
performance 2 of 2
I AM THE HOSTESS WITH THE MOSTESS
(30 min) (english)
The performance of I AM THE HOSTESS WITH THE MOSTESS is
a multimedia performance, with audience interaction, as well as spoken words layered and
accompanied by electronic beats, projections made out of self made collages and site specific
sounds made from found objects as well as everyday feminine tools such as kitchen
utensils, plastic bags, sponges, water, hair dryer and brushes, buckets, toys, bells etc using
contact mikes in order to create the noise and incidental sounds. I want to transform the
meaning of every day objects esp typical feminine tools, turning them into instruments and
noise makers to benefit and enhance my spoken word poetry and performance art movements
and rituals. The audience interaction is very important to me too as they become part
of my installation, therefore cutting the borders between audience and the performer. I request
an exchange of personal items with the audience, they give me something personal
they possess during the show and I use these to create spontaneous art objects and installations.
(www.)apa-b(.org/members/lady-gaby/)
(www.)soundcloud(.com/lady-gaby)
(www.)misplacedwomen(.wordpress.com/2018/12/27/misplaced-women-interventions-bylady- gaby-in-berlin-weisensee/)
(www.)somos-arts(.org/gaby-bila-gunther-aka-lady-gaby/ )




22:02 - 22:22:
Video
. Gio Ju 13,39 min
(www.)facebook(.com/Gio.hyunju )




+
22:22-23:23
parallel=>____space4
present participants interact
or act parallely/simultaneously


with

Rina Nakano

Can I listen to your heartbeat for a minute?



(www.)nakanorina(.com/page/37798/heartbeat/)





.. .... .... .. .
ƒÐƒÎƒÍƒÏƒ¿ƒÂƒÇƒÈ..-. -. | sporadikos -i -o | sporathikos -i -o | sporadikos -h -o ...ƒÐƒÎ.ƒÏƒÇƒÍsporio_
. .. .�O·0°oºoOo... .. : . . .o O .�. o:O·0°oºoOO...o..�c.o..O·0°oºoOO .oOO . .0.. . o... : �O. . . .o O .� �0.. . . :�. o� . .. .O·. :o O . . �O·0°oºoO.. .O .�c � .. .� oO�O . .0�O·0°oºoO. :o O . .. o�oO...o..�c.oo O .0.. . . :� o... : �O. . . . o�� oO...o..�.o.. . .. :o O . .oO..O .� .o..O·0°oºoO.o... .. . o... .. :o . . .o O .� . :�. o:.. . .. .�. :o O . . �. o�� ‹oOoO...o..�c.o.. . .. .. oO� O . .0. .. .�o... .. :o . . .o O .�c � . :�. o: �O...o..o..O·0°oºoOoO� O . .0..o... : �O.�c �‹ . : o: �.�c � . :� . o: �oOoO...o..�.o.. . o... : �‹O. .. . o... .. :o . . .o O .�c � . :�. o: �‹O...o..�c.o..�O .� �oO� O . .0.. . . . .o O .�c �0.. . . :�. o�. .. .�‹ �‹ �‹. :o O . . �.. .O .�c .. .�‹ oO�O . .0. :o O . . �‹. o�oO...o..�.oo O .�c �0.. . . :�‹�‹ o... : �O. . . . o�oO...o..�.o.. . .. .�. :o O . . �‹oO..O .�.o..�.o... .. .�o... .. :o . . .o O .��‹ . :�. o: oºoO.. . .. .�O·0°. :o O . . �. o�O·0°o. oO�O . O·0°oºoO o... .. :o . . .o O O...o..�c.o..oO� O . .0.. . � . ...O·0°oºoO


sporadikos____gemelos2000 & guests
- in memoriam Witold Gombrowicz -
organized by
_>__>___>____falkenfeld GbR
in the frame of: Performing Arts Festival Berlin / 28. Mai bis 2. Juni 2019 / (www.)performingarts-festival(.de )

at BcmA
Arts Projects Space
Manteuffelstrase 42
10997 Berlin
29.05. 2019 - 01.06.2019
19:19 - 23:23
�‹ o... : �O. . . .
o O .�0.. . . :�‹
. o�O·0oO...o..�c.o
.. . .. .O·0°oºoO. :o O . . �‹
(www.)gemelos2000(.de)
(www.)facebook(.com/falkenfeld/ )
(www.)berlinconmuchoarte(.com )
________________________________________________________________>__>___>____falkenfeld GbR
29.05.2019
ProgrammeUPDATES on (www.)gemelos2000(.de/gemelos2000now.html )
falkenfeld_gbr(@)gemelos2000(.de) /reservations_falkenfeld_gbr(@)gemelos2000(.de)


>>>>>> •>>>>>> •>>>>>>